{"id":442,"date":"2026-08-10T12:43:56","date_gmt":"2026-08-10T12:43:56","guid":{"rendered":"https:\/\/sararutten.com\/?page_id=442"},"modified":"2026-08-11T02:12:11","modified_gmt":"2026-08-11T02:12:11","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/sararutten.com\/en\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"<h1 class=\"wp-block-post-title\">Repertoire<\/h1>\n\n\n<h4 class=\"wp-block-heading\">Guitar solo<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">A selection from the pieces for solo guitar in the repertoire of Sara R\u00fctten:<\/p>\n\n\n\n<figure class=\"wp-block-flexible-table-block-table is-style-stripes\" style=\"border-style:none;border-width:0px\"><table class=\"has-fixed-layout\" style=\"border-width:0\"><tbody><tr><td style=\"width:40%\">Fernando Sor (1778-1839)<\/td><td><strong>Introduction and Variation on the Air \u201cMalbroug\u201d Op. 28<\/strong><\/td><\/tr><tr><td style=\"width:40%\">Giulio Regondi (1822-1972)<\/td><td><strong>R\u00eaverie Nocurne Op. 19<\/strong><\/td><\/tr><tr><td style=\"width:40%\">Francisco T\u00e1rrega (1852-1909)<\/td><td><strong>Gran Jota<\/strong><\/td><\/tr><tr><td style=\"width:40%\">Joaqu\u00edn Turina (1882-1949)<\/td><td><strong>Fandanguillo Op. 36<\/strong><\/td><\/tr><tr><td style=\"width:40%\">Joaqu\u00edn Rodrigo (1901-1999)<\/td><td><strong>En los Trigales<\/strong><\/td><\/tr><tr><td style=\"width:40%\">Astor Piazzolla (1921-1992)<\/td><td><strong>Cinco Piezas<\/strong><br>I. Campero<br>II. Rom\u00e1ntico<br>III. Acentuado<br>IV. Trist\u00f3n<br>V. Compadre<\/td><\/tr><tr><td style=\"width:40%\">Antonio Ruiz-Pip\u00f3 (1934-1997)<\/td><td><strong>Canci\u00f3n y Danza No. 1<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Guitar duo with George Reijnders<\/h4>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\" style=\"margin-right:0;margin-bottom:var(--wp--preset--spacing--50);padding-right:0px;grid-template-columns:auto 19%\"><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><em>\"Nothing is more beautiful than a guitar, except perhaps two\"<\/em>, such is the quote attributed to Fr\u00e9d\u00e9ric Chopin. Conjuring the most beautiful sounds out of the guitar is what Sara R\u00fctten and George Reijnders love to do most. They let themselfs be inspired bij the most famous guitar duos of the past, such as Ida Presti &amp; Alexandre Lagoya, Julian Bream &amp; John Williams and the Assad Brothers.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">George Reijnders studied at the Koninklijk Conservatorium in The Hague with Enno Voorhorst. After his bachelor George took lessons with Sabrina Vlaskalic. He achieved his Master of Music 'with distinction' with Goran Krivokapic and Raphaella Smits at the LUCA School of Arts in Leuven, Belgium. His Guitar was built by the French luthier Dominique Field. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/georgereijnders.com\/\">www.georgereijnders.com<\/a><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"1024\" src=\"https:\/\/sararutten.com\/wp-content\/uploads\/2026\/08\/Gracht-samen-koffers-3-680x1024.jpg\" alt=\"\" class=\"wp-image-419 size-full\" srcset=\"https:\/\/sararutten.com\/wp-content\/uploads\/2026\/08\/Gracht-samen-koffers-3-680x1024.jpg 680w, https:\/\/sararutten.com\/wp-content\/uploads\/2026\/08\/Gracht-samen-koffers-3-199x300.jpg 199w, https:\/\/sararutten.com\/wp-content\/uploads\/2026\/08\/Gracht-samen-koffers-3-768x1157.jpg 768w, https:\/\/sararutten.com\/wp-content\/uploads\/2026\/08\/Gracht-samen-koffers-3-1020x1536.jpg 1020w, https:\/\/sararutten.com\/wp-content\/uploads\/2026\/08\/Gracht-samen-koffers-3-1359x2048.jpg 1359w, https:\/\/sararutten.com\/wp-content\/uploads\/2026\/08\/Gracht-samen-koffers-3-scaled.jpg 1699w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-flexible-table-block-table is-style-stripes\" style=\"border-style:none;border-width:0px;padding-right:0;padding-left:0\"><table class=\"has-fixed-layout\" style=\"width:100%;border-width:0\"><tbody><tr><td style=\"width:40%\">Luigi Boccherini (1743-1805) <br>Arr. Rony Ruimy<\/td><td><strong>Introduction et Fandango<\/strong><\/td><\/tr><tr><td style=\"width:40%\">Johann Sebastian Bach (1685-1750) <br>Arr. Alexandre Lagoya<\/td><td><strong>Franse Suite No. 5<\/strong><br>I. Allemande<br>II. Courante<br>III. Sarabande<br>IV. Gavotte<br>V. Bourr\u00e9e<br>VI. Loure<br>VII. Gigue<\/td><\/tr><tr><td style=\"width:40%\">Isaac Albeniz (1860-1909)<br>Arr. Konrad Ragossnig<\/td><td><strong>Mallorca Op. 202<\/strong><\/td><\/tr><tr><td style=\"width:40%\">Sergio Assad (*1952)<\/td><td><strong>Jobiniana No. 1<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Guitar and choir<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The most important work for guitar and choir is the Romancero Gitano Op. 152 by the Italian composer Mario Castelnuovo-Tedesco (1895-1968). The text is based on poems by the Spanish poet Federico Garc\u00eda Lorca (1898-1936).<\/p>\n\n\n\n<figure class=\"wp-block-flexible-table-block-table is-content-justification-center is-style-stripes\"><table class=\"has-fixed-layout\" style=\"border-width:0\"><tbody><tr><td style=\"vertical-align:top;background-color:var(--ast-global-color-5);width:40%\">Mario Castelnuovo-Tedesco (1895-1968)<br>Tekst: Federico Garc\u00eda Lorca (1898-1936)<\/td><td style=\"background-color:var(--ast-global-color-5)\"><strong>Romancero Gitano Op. 152<\/strong><br>I. Baladilla de los tres rios<br>II. La guitarra<br>III. Pu\u00f1al<br>IV. Processi\u00f3n<br>V. Memento<br>VI. Baile<br>VII. Cr\u00f3talo<\/td><\/tr><\/tbody><\/table><\/figure>","protected":false},"excerpt":{"rendered":"<p>Gitaar solo Een greep uit de stukken voor solo gitaar die Sara R\u00fctten in haar repertoire heeft: Gitaarduo met George [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"iawp_total_views":11,"footnotes":""},"class_list":["post-442","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/pages\/442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/comments?post=442"}],"version-history":[{"count":40,"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/pages\/442\/revisions"}],"predecessor-version":[{"id":601,"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/pages\/442\/revisions\/601"}],"wp:attachment":[{"href":"https:\/\/sararutten.com\/en\/wp-json\/wp\/v2\/media?parent=442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}